This sculpture, a masterpiece of Italian Mannerism, can also flaunt of being the first with different aspects: the viewer can explore its beauty from different angles. The impact is given by the spiral example of the characters and by the inconsistency between huge masses and voids. On the base there is a bronze plate with the scene of the kidnapping, represented in various dimensions with various depths of alleviation, each consolidating the figures in an alternate way. The sculpture represents a youngster who raises a young lady in his arms, however during his demonstration the man is obstructed by a senior who is between his legs. Regardless, Giambologna's cutting made him the uncontested master of enormous scale plastic workmanship in Italy, and remains probably the greatest sculpture at any point made. Fittingly, it stands in the Loggia dei Lanzi, on the Piazza della Signoria, in Florence - the city from which the Medici family never permitted him to leave, in case the Austrian or Spanish Habsburgs allured him to rehearse his one of a kind craft of sculpture in Vienna or Madrid.