There are two common threads walking via the trilogy. The first, a enormous Italian flag which opens the first scene of each of the titles, a hard and fast characterized by means of a number of repeated gadgets, numerous and according to the context with lighting fixtures and the principal shades of green, white and crimson, one for every opera. The version of La traviata staged in this February consultation is part of the innovative venture through the Maggio Musicale Fiorentino directed by means of Francesco Micheli, who has created a dramaturgy which brings collectively the 3 famous works by way of Verdi. The three operas Trovatore, Rigoletto and Traviata are to be staged in September 2018. The second is the Choir, a choir which according to Giuseppe Verdi is a single character which binds, passes via and migrates from the 3 operas, which do now not have a unitarity as such, but which penetrate deeply into the collective creativeness, joined thru the occasionally contrasting feelings of ardour. The major shade on this Traviata, now a part of the Maggio’s repertoire, is white. In iciness 1852 Giuseppe Verdi became in Paris.