In the early 1970s, the highest building in New England got notorious as the monolith that rained glass occasionally. Windows were inappropriately seated in the sills of the blue rhomboid pinnacle, designed by I. M. Pei. When the structure's 13 acres of glass were supplanted and the focal center stiffened, the issue was rectified. Bostonians initially dreaded the Hancock's stark modernism would overpower close by Trinity Church, however its shimmering sides mirror the more seasoned structure's picture, really amplifying its presence. The pinnacle is closed to the general population. Tall, skinny glass structures were an objective of modernist design since Mies Van Der Rohe proposed a glass skyscraper for Berlin. Such buildings as Gordon Bunshaft's Lever House and Mies' Seagram Building in New York City, and Frank Lloyd Wright's Johnson Wax Headquarters endeavored this objective, however a large number of these designs held structural artifacts that forestalled a consistent, solid look. On the 44th story of the structure guests will likewise uncover one of the country's highest swimming pools in the Sky Lobby. The design and shading has been chosen likewise to cause the pinnacle to distend distinctly as an unmistakable slight stand out from the sky on a day of sunny morning.