It’s basically one of the few churches in Rome where the main chapel remains intact, preserving works of art that showcase full stories. Other Italian chapels were destroyed over the years, and their works of artwork can now be visible simplest inside museums. Legend has it that on this place, beneath a grand oak, Emperor Nero died and turned into buried. Until 1099, the location turned into considered cursed and those saved away. However, those 12 months, Pope Pascal II had a vision of the Virgin Mary, who told him to reduce the oak, put off the emperor’s stays and raises a church on that spot. Raised over the emperor’s tomb, Santa Maria del Popolo has a number of the richest works of art of the Renaissance and the Baroque. Among their authors, tourists can apprehend Bernini, Bramante, Caravaggio, Pinturicchio, and Rafael. A Baroque-era preservation turned into completed by means of Gian Lorenzo Bernini, who added white stucco elaborations. The basilica chapels comprise two of Caravaggio’s maximum essential art work, the Crucifixion of St. Peter and Conversion at the Way to Damascus.