The veneer of this Brunelleschi church, keen on Florence's most decrepit stylish piazza, makes striking scenery to outside shows in summer. Inside, the basilica's length is fixed with 38 half circle sanctuaries (covered with a plain divider during the 1960s), and a corridor of dark pietra strong point Corinthian sections infuses fantastic magnificence. Works of art to search for incorporate Domenico di Zanobi's Madonna of the Relief (1485) in the Cappella Velutti, in which the Madonna averts a little red villain with a club. Filippino Lippi's dreary Madonna with Child and Saints (1493–94) is in the Cappella Nerli in the correct transept.